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備注:已完結(jié)
類(lèi)型:動(dòng)作片
主演:布蘭登·奧雷 ThandiSebe CordNewman NaimaS
導(dǎo)演:馬克·阿特金斯
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:一群情侶來(lái)到偏僻小島上,他們想要在這里修復(fù)彼此之間糟糕的關(guān)系,萬(wàn)萬(wàn)沒(méi)想到的是,有六個(gè)頭的怪鯊魚(yú)正在對(duì)他們虎視眈眈....
備注:已完結(jié)
類(lèi)型:動(dòng)作片
主演:丹尼斯·奎德 馬修·??怂?/a> 福里斯特·惠特克 布魯斯·麥克吉爾 埃德加
導(dǎo)演:皮特·特拉維斯
語(yǔ)言:英語(yǔ) / 西班牙語(yǔ)
年代:未知
簡(jiǎn)介:為了應(yīng)對(duì)911之后日益猖獗的恐怖主義,美國(guó)總統(tǒng)亨利·阿什頓(威廉·赫特 William Hurt 飾)與西方各國(guó)以及阿拉伯國(guó)家首腦相約西班牙的薩拉曼卡,將在此締結(jié)全新的反恐同盟。是日陽(yáng)光明媚,廣場(chǎng)人頭攢動(dòng),不同社會(huì)背景之人齊齊聚集,嘈雜萬(wàn)分。阿什頓總統(tǒng)的車(chē)隊(duì)在一片歡呼和反對(duì)聲中到來(lái),六個(gè)月前為保護(hù)總統(tǒng)而遭到槍擊的資深探員托馬斯·巴恩斯(丹尼斯·奎德 Dennis Quaid 飾)沖在最前方,警覺(jué)地監(jiān)視著來(lái)自周遭一切可疑之人。誰(shuí)知,當(dāng)總統(tǒng)正準(zhǔn)備發(fā)表演說(shuō)時(shí),兩發(fā)子彈擊中了他。廣場(chǎng)頓時(shí)大亂,有人倉(cāng)皇而逃,有人沖向主席臺(tái),有人則趁亂制造禍端。隨之而來(lái)的爆炸將這美好的一日徹底毀滅。
備注:已完結(jié)
類(lèi)型:動(dòng)作片
主演:李·馬文 歐內(nèi)斯特·博格寧 查爾斯·布朗森 吉姆·布朗 約翰·卡薩維蒂
導(dǎo)演:羅伯特·奧爾德里奇
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:美軍為了消滅德軍將領(lǐng),萊斯明少校奉命挑選十二位犯了軍法的重刑犯來(lái)執(zhí)行任務(wù),但他們一個(gè)個(gè)叛逆不羈,萊斯明的死對(duì)頭布立德上校偏偏看他們不順眼,明后在雙方對(duì)決里萊斯明的囚犯以寡散眾打敗了布立德的大軍,也保住了這次任務(wù)。但最后雖然他們成功地完成目標(biāo),殲滅了敵人將領(lǐng),但他們卻死傷慘重……
備注:已完結(jié)
類(lèi)型:動(dòng)作片
主演:查爾斯·布朗森 莉莎·埃爾巴赫 安德魯 史蒂文斯 杰佛里·劉易斯 威爾
導(dǎo)演:J·李·湯普森
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:八十年代的恐怖電影《處刑在午夜》(10 to Midnight)中,外表不佳卻頗具性格氣概的老電影人查爾斯·布朗森在片中飾演一個(gè)警探,逮捕到一位專(zhuān)門(mén)辣手摧花的殺人犯,苦于沒(méi)有證據(jù),老查不得已設(shè)法編造證據(jù),想送他進(jìn)大牢,不料被穿幫,兇手放出來(lái)后,決定對(duì)老查的女兒下手以實(shí)行報(bào)復(fù)。為什么老查根本找不到兇手的罪證呢,原來(lái)兇手每次行兇前必把自己的衣服脫光,你想找到任何沾有血跡的衣服、褲子、鞋子,都難如登天。于是,反一號(hào)男主角吉恩·戴維斯在片中有一半的戲份都要光著身子?!短幮淘谖缫埂吩诼懵冻叨鹊陌盐丈?,真正做到了“男女平等”,你脫我也脫,像吉恩·戴維斯這種可以走偶像路線的男星,接拍《處刑在午夜》實(shí)在得不償失,別說(shuō)必須時(shí)不時(shí)的衣不蔽體,角色形象也負(fù)面到極點(diǎn),從片子的票房來(lái)看,他也真是白忙了一場(chǎng)。可能從一開(kāi)始,吸引他的只是赫赫有名的曾導(dǎo)過(guò)黑白原版《恐怖角》(Cape Fear)與《納瓦隆大炮》(The Guns of Navarone)的大導(dǎo)演J·李·湯普森吧,可惜人有失手馬有失蹄,這一回他可是脫得很沒(méi)價(jià)值吶!
備注:已完結(jié)
類(lèi)型:動(dòng)作片
導(dǎo)演:比爾·杜克
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
備注:已完結(jié)
類(lèi)型:動(dòng)作片
主演:亞倫·泰勒-約翰遜 卡梅隆·CJ·亞當(dāng)斯 渡邊謙 布萊恩·科蘭斯頓 伊
導(dǎo)演:加里斯·愛(ài)德華斯
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:擁有幸福美滿生活的大兵福德·布羅迪(亞倫·泰勒-約翰遜 Aaron Taylor-Johnson 飾),內(nèi)心隱藏著一個(gè)揮之不去的陰影。15年前,他和父親喬伊(布萊恩·科蘭斯頓 Bryan Cranston 飾)、母親桑德拉(朱麗葉·比諾什 Juliette Binoch e 飾)生活在日本。父母供職于一座大型核電站。就在福德的爸爸生日當(dāng)天,一場(chǎng)突如其來(lái)的災(zāi)難摧毀了核電站,他的母親在災(zāi)難中喪生,語(yǔ)焉不詳?shù)恼[瞞真相,以防止核輻射的名義封鎖了該地區(qū)。但是喬伊卻從種種異狀覺(jué)察到反常之處,十五年來(lái)他一直試圖揭開(kāi)當(dāng)天的災(zāi)難之謎,終于發(fā)現(xiàn)這一切都是由一只如山一般巨大的怪獸所引起。 怪獸哥斯拉從沉睡中蘇醒,令人難以預(yù)測(cè)的災(zāi)難席卷而來(lái)……