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備注:已完結(jié)
類型:動作片
主演:丹尼斯·奎德 馬修·??怂?/a> 福里斯特·惠特克 布魯斯·麥克吉爾 埃德加
導(dǎo)演:皮特·特拉維斯
語言:英語 / 西班牙語
年代:未知
簡介:為了應(yīng)對911之后日益猖獗的恐怖主義,美國總統(tǒng)亨利·阿什頓(威廉·赫特 William Hurt 飾)與西方各國以及阿拉伯國家首腦相約西班牙的薩拉曼卡,將在此締結(jié)全新的反恐同盟。是日陽光明媚,廣場人頭攢動,不同社會背景之人齊齊聚集,嘈雜萬分。阿什頓總統(tǒng)的車隊(duì)在一片歡呼和反對聲中到來,六個月前為保護(hù)總統(tǒng)而遭到槍擊的資深探員托馬斯·巴恩斯(丹尼斯·奎德 Dennis Quaid 飾)沖在最前方,警覺地監(jiān)視著來自周遭一切可疑之人。誰知,當(dāng)總統(tǒng)正準(zhǔn)備發(fā)表演說時,兩發(fā)子彈擊中了他。廣場頓時大亂,有人倉皇而逃,有人沖向主席臺,有人則趁亂制造禍端。隨之而來的爆炸將這美好的一日徹底毀滅。
備注:已完結(jié)
類型:劇情片
主演:邁克爾·比恩 馬丁·科夫 KrzysztofSoszynski 尼克·
導(dǎo)演:AllanUngar
語言:英語
年代:未知
簡介:邁克爾是一位武術(shù)天才,他就職于判處社區(qū)服務(wù)的空手道學(xué)校。在比賽中,他遇到了十年前殺死他家人的對手。于是他決定讓他付出代價。在比賽中,他一定要親手打到這個殺親仇人。 這部由美國著名導(dǎo)演艾倫杉于2014年制作的《利用》邀請了邁克爾.Biehn 馬丁.Kove等明星參與,值得一看
備注:已完結(jié)
類型:動作片
主演:沙魯克·汗 瑪?,敗潭爬?/a> 阿莫瑞什·普瑞 Apoorva Agnih
導(dǎo)演:薩伯哈什·哥亥
語言:其它
年代:未知
簡介:億萬富豪(阿莫瑞什·普瑞 Amrish Puri 飾)派自己的侄子阿?。ㄉ臭斂恕ず?Shahrukh Khan 飾)前往印度去尋找一位名叫剛加(馬里昂·歌莉婭 Mahima Chaudhry 飾)的女孩,這個女孩和富豪的兒子拉加維(Apoorva Agnihotri 飾)定下了婚約,如今,履行這約定的時刻到來了?! 〗?jīng)歷了一番波折,拉加維總算見到了自己未來的妻子剛加,但隨著時間的推移,兩人都發(fā)現(xiàn)他們彼此的價值觀相去甚遠(yuǎn)。剛加是一個非常非常傳統(tǒng)的印度姑娘,而拉加維的思想早就已經(jīng)西化了。在阿俊的推波助瀾下,剛加踏上了返回印度的旅途,在此過程中,兩人之間的距離越來越近。
備注:已完結(jié)
類型:劇情片
主演:喬治·克魯尼 布拉德·皮特 馬特·達(dá)蒙 朱莉婭·羅伯茨 安迪·加西亞
導(dǎo)演:史蒂文·索德伯格
語言:英語 / 意大利語
年代:未知
簡介:丹尼奧遜(喬治-克魯尼飾,George Clooney飾)是剛從監(jiān)獄假釋出來的大盜,馬上又操起了老本行,這次他的目標(biāo)是為了盜取賭城富豪泰瑞(安迪?加西亞 Andy Garcia 飾)的一億五千萬金錢。泰瑞來頭不小,于是丹尼精挑細(xì)選了11個高手前來助陣——有撲克天才拉提斯 (布拉德?皮特 Brad Pitt 飾)、爆破專家、扒手大王、雜技演員。精密的盜竊計(jì)劃開始了。
備注:已完結(jié)
類型:動作片
導(dǎo)演:丁善璽
語言:漢語普通話 / 粵語
年代:未知
簡介:劊子手袁德泰(王羽 飾)手段高強(qiáng),金刀斬過,人犯尤不知死。徒弟二五(錢小豪 飾)與公差等每每看得五體投地。是日,袁德泰斬殺悍匪“鬼八仙”團(tuán)伙三名成員,幾近完成千人斬記錄。鬼八仙頭目朱七被擒,依法亦當(dāng)斬,行刑前夜,鐘馗之妹(王小鳳 飾)拜訪袁德泰,請托其失手,以延長朱七痛苦,袁德泰畏懼惡鬼尋仇,將這差事交給二五。行刑時,鬼八仙最后一人——玉殘花(王祖賢 飾)伺機(jī)營救無果,卻決心向袁德泰一家尋仇。當(dāng)夜,二五被朱七鬼魂附體,幸而袁德泰身手敏捷躲過一劫,袁德泰之女巧銀(陳法蓉 飾)為二五驅(qū)魔不表。不久,袁德泰自感殺孽深重,轉(zhuǎn)行開酒鋪謀生,玉殘花混入袁家尋仇,某日鐘馗(午馬 飾)拜訪袁家,拆穿了玉殘花真實(shí)身份……
備注:已完結(jié)
類型:動作片
導(dǎo)演:比爾·杜克
語言:英語
年代:未知
簡介:Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.