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備注：已完結(jié)
類型：科幻片
主演：克里斯·帕拉特 布萊絲·達拉斯·霍華德 賈斯蒂斯·史密斯 伊莎貝拉·瑟
導演：J·A·巴亞納
語言：英語 / 俄語
年代：未知
簡介：自侏羅紀世界的騷亂以來，種類繁多的恐龍在努布拉島度過了三年無拘無束的時光。然而該島火山活動頻繁，隨時有噴發(fā)的危險。致力于恐龍保護的克萊爾·戴寧（布萊絲·達拉斯·霍華德 Bryce Dallas Howard 飾）受到班杰明?洛克伍德的邀請。班杰明及其下屬伊萊·米爾斯（拉菲·斯波 Rafe Spall 飾）希望她和相關(guān)技術(shù)人員前往努布拉島拯救那里的恐龍，并將它們安置在新的棲息地。受到感染的克萊爾設(shè)法找來歐文（克里斯·帕拉特 Chris Pratt 飾）一同前往，歐文則希望救出他親手馴養(yǎng)的迅猛龍小藍。當他
備注：已完結(jié)
類型：動作片
導演：王星磊
語言：國語
年代：未知
簡介：劇情講述金兵鐵蹄踐踏中原，智性在戰(zhàn)火中失去雙親，成了孤兒，被云游各地的高僧行癲搭救，一同來到報國寺。智性進入寺院，削發(fā)為僧，取法號苦行僧，在覺遠大師撫養(yǎng)下，練就一身高超的武功。但寺中戒律僧視他為孽障，不讓他進入羅漢堂。智性無奈只好告辭眾僧，只身隱居山林，與猴群為伍，和蒼鷹作伴。他帶枷在懸崖峭壁上采藥，幾年苦練，又練成一套超群的絕技。國難當前，金兵大舉入侵中原，荼毒生靈。在金兵辱殺寺內(nèi)眾僧的時候，他挺身而出，趕走了金兵，卻被戒律僧以觸犯戒律意欲嚴懲。智性與戒律僧狹路相逢，激戰(zhàn)于崖頂。交手數(shù)回合后，智性不慎失足，跌下深淵。戒律僧以為智性必死無疑。孰料智性大難不死，被李家莊李大伯搭救，并得到喬扮男裝屢次救過他的美貌女子趙襄的精心照料。金兵奸細施乍打探到智性住在李大伯家養(yǎng)傷，便引金兵前來血洗李家莊。趙襄與智性將計就計，誘敵深入，率義軍在莊外打下埋伏，擊退金兵，除掉施乍。義軍乘勝追擊，將圍困批國寺的金兵趕下山，救出寺內(nèi)眾僧及百姓，報國寺重獲安寧。
備注：已完結(jié)
類型：動作片
導演：黃岳泰
語言：國語
年代：未知
簡介：葉霜（秦嵐 飾）是含著金湯匙出生的富家千金大小姐，從小過著養(yǎng)尊處優(yōu)的富裕生活長大后，葉霜和丈夫凌鋒（高圣遠 飾）結(jié)婚，婚后兩人十分恩愛。沒多久，葉霜就懷孕了，順利誕下了可愛的小女兒，一家三口的生活幸福美滿堪稱典范。然而，在忽然之間，這美好的一切都消失了，丈夫和女兒的無故失蹤以及綁匪索要的巨額贖金讓葉霜陷入了絕望之中。 葉霜向警方求助，卻因此意外的遇見了前男友姚杰（林家棟 飾），姚杰通過重重的調(diào)查發(fā)現(xiàn)這起案件背后十分蹊蹺，而千絲萬縷的線索都指向了葉霜的父親葉城（任達華 飾）。然而，就在這個節(jié)骨眼上，葉城亦遭遇意外死亡，一下子，所有的線索都斷了鏈，案件再度陷入了撲朔迷離之中。
備注：已完結(jié)
類型：動作片
語言：國語
年代：未知
簡介：混亂年代，民不聊生，逸正閣派刺客四處追殺貪官污吏，慕青是逸正閣閣主爵爺最器重的屬下，但一次刺殺行動，慕青遇到了善良的九品芝麻官杭知煜，讓慕青開始懷疑自己在逸正閣的意義，她選擇相信杭知煜，幫他躲避逸正閣的追捕，但事情終還是敗露，爵爺派出慕青從小長大的朋友秦昊，刺殺慕青，秦昊為保護慕青而死，死前得知爵爺乃是當朝宰相，而在逸正閣中一直與慕青不和的醉藍，開始了對慕青和杭知煜的瘋狂追殺?！ ≡瓉?，逸正閣刺殺杭知煜起初是為了除掉寧王余黨，后是為得到杭知煜手中的賬簿，這本賬簿乃是當朝宰相貪贓枉法的物證，為了保護杭知煜，慕青被醉藍劃傷，而醉藍的刀上便是世間奇毒三不笑，慕青命不久矣，但為了鏟除虛偽的逸正閣，她毅然決然回到逸正閣，與爵爺展開廝殺……
備注：已完結(jié)
類型：動作片
主演：蒲巴甲 王子子 杜奕衡 何杜娟 吳衛(wèi)東 曲高位
語言：普通話
年代：未知
簡介：清末，朝廷腐敗不堪，某省巡撫鄂托（吳衛(wèi)東飾）執(zhí)掌一方，民怨載道，革命黨人紛紛起事，清廷武力鎮(zhèn)壓。省城最大的戲樓內(nèi)《霸王別姬》正在上演，巡撫鄂托為捧扮演虞姬的陳子蓮（王子子飾）專程到此賞戲。不料，臺上的楚霸王突然刺殺鄂托。鄂托貼身侍衛(wèi)隊長葉德文（杜奕衡飾）狡猾毒辣，濫殺無辜，楚霸王情急中救下陳子蓮。\r八個月后，帥氣的清朝官宦公子許驥遠（蒲巴甲飾）出現(xiàn)在了鄂托的府中，但已成驚弓之鳥的鄂托并沒有將其留在身邊，而是派他去巡警學校做了校長。然而葉德文卻懷疑許驥遠就是逃走的楚霸王……
備注：已完結(jié)
類型：動作片
導演：比爾·杜克
語言：英語
年代：未知
簡介：Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
