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備注：已完結(jié)
類型：劇情片
導(dǎo)演：呂樂
語言：
年代：未知
簡介：上海市下崗女工周若敏（張芝華）無意中發(fā)現(xiàn)在某所大學(xué)任教師的丈夫趙先生（施京明）與從前的女學(xué)生田靜（陳怡南）在搞婚外情時，于深夜對丈夫?qū)嵤┝肆鑵柟?，要他在她與情人之間做出選擇，趙先生不置可否。第二日，田靜告訴趙先生說她已懷上他的孩子，也要趙先生給個交代，趙先生依舊含糊其辭。 趙先生的不表態(tài)令田靜非常傷心，趕去醫(yī)院做了人工流產(chǎn)，聞訊趕來的趙先生在手術(shù)室外與田靜的一位朋友交談時漸處下風(fēng)落荒而逃，在街上被卡車撞倒成為植物人。此時，他腦子里不再有妻子和情人，代替她們出現(xiàn)的是趙先生出車禍前一晚在辦公室無意間邂逅的異地美麗女子（蔣雯麗）。?豆瓣
備注：已完結(jié)
類型：劇情片
主演：XabianiPoncedeLeón MauroSánchezNava
導(dǎo)演：卡洛斯·薩馬
語言：西班牙語
年代：未知
簡介：Seventeen-year-old Carlos doesn't fit in anywhere, not in his family nor with the friends he has chosen in school. But everything changes when he is invited to a mythical nightclub where he discovers the underground nightlife scene: punk, sexual liberty and drugs.
備注：已完結(jié)
類型：劇情片
主演：喬治·馬沙爾 露西婭·波塞 朱利安·貝爾托 讓-雅克·德爾伯 西蒙娜·
導(dǎo)演：路易斯·布努埃爾
語言：法語
年代：未知
簡介：受聘與某個地中海小島上的一家工廠，巴萊里奧（馬沙爾）慷慨地為工人和農(nóng)民提供服務(wù)。他的妻子安赫拉（博爾熱）因為神經(jīng)問題回到歐洲大陸修養(yǎng)。巴萊里奧和魅力的克拉拉（博塞）產(chǎn)生了感情。巴萊里奧的一位工人朋友山德羅（埃斯波西托）殺死了無情的工頭，因為對方間接地導(dǎo)致了他妻子的死。巴萊里奧把山德羅藏在家里。警察頭子法薩諾（貝爾托）開始追捕山德羅。安赫拉和她的父親與巴萊里奧斷絕了關(guān)系，因為他竟然包庇一位殺人犯。山德羅為了不連累巴萊里奧爾離開，被警察抓住后自殺。一直設(shè)法幫助山德羅逃跑的巴萊里奧因此感到十分氣憤。他拒絕與法薩諾握手，在克拉拉和三個工人朋友陪伴下離開。
備注：已完結(jié)
類型：劇情片
主演：維克多·崔 Marina Smirnova 彼得·馬莫諾夫 亞歷山大·
導(dǎo)演：拉希德·努格馬諾夫
語言：俄語
年代：未知
簡介：In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
