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備注：已完結(jié)
類(lèi)型：劇情片
主演：Lee Remick Marlee Matlin Michael O&
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
備注：已完結(jié)
類(lèi)型：愛(ài)情片
主演：邁克爾·凱恩 布蘭登·費(fèi)舍 杜氏海燕 拉德·舍博德茲加 馬泰 羅伯特·
導(dǎo)演：菲利普·諾伊斯
語(yǔ)言：英語(yǔ) / 法語(yǔ) /
年代：未知
簡(jiǎn)介：故事發(fā)生在1952年，越南局勢(shì)緊張，動(dòng)亂和戰(zhàn)爭(zhēng)一觸即發(fā)。艾登（布蘭登·費(fèi)舍 Brendan Fraser 飾）是由美國(guó)援助組織派往越南的工作人員，目睹了越南發(fā)生的種種，艾登滿腹熱忱，希望自己能夠在這里大干一番，之后，艾登結(jié)識(shí)了名叫托馬斯（邁克爾·凱恩 Michael Caine 飾）的男子，他是倫敦時(shí)報(bào)的特派員，十分了解當(dāng)?shù)氐那闆r。
備注：已完結(jié)
類(lèi)型：愛(ài)情片
導(dǎo)演：李啟源
語(yǔ)言：漢語(yǔ)普通話
年代：未知
簡(jiǎn)介：個(gè)性孤僻又沉默的小學(xué)棒球教練（吳慷仁飾）眉宇間總帶著些許頹廢的氣質(zhì)，白天悉心的教小朋友打球，晚上則獨(dú)自一人到面店吃面。鎮(zhèn)上的居民都知道他的老婆六花（姚安琪飾）跟人跑了，只留癡情的他一人寂寞又空虛的生活著。電梯小姐小尊（潘之敏飾）性格溫和，不喜歡與人相爭(zhēng)。訓(xùn)練有素的笑容永遠(yuǎn)掛在她的臉上，對(duì)生活從沒(méi)有抱怨。直到有一天，她撞見(jiàn)男友與別的女人私會(huì)。但小尊居然沒(méi)有絲毫的憤怒，此時(shí)，她才決心改變目前的生活。小尊帶走了她和男友一起養(yǎng)的河豚，并決定把它拍賣(mài)掉，開(kāi)始新的生活，而它的買(mǎi)家正是獨(dú)來(lái)獨(dú)往的棒球教練。一尾曾經(jīng)是愛(ài)情見(jiàn)證的河豚，改變了兩個(gè)戀人的生命方向，他們的愛(ài)情就像河豚一樣搖晃。?豆瓣
備注：已完結(jié)
類(lèi)型：喜劇片
主演：詹姆斯·梅森 海倫·米倫 杰克·麥高恩 Neva Carr-Glynn
導(dǎo)演：邁克爾·鮑威爾
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Michael Powell teamed with actor James Mason (who also co-produced) to make a film loosely based on the life of controversial Australian artist Norman Lindsay. Age Of Consent stars Mason as a jaded painter who heads Down Under looking for a way to revitalize his creative soul. His self-imposed exile is interrupted by Cora, an uninhibited young woman on her own journey of self-discovery. The Age of Consent (1969), is Powell's final film, centers on James Mason as a disenchanted painter who finds a new muse in a tropical island model (a radiant and sensual, often nude Helen Mirren, in her first movie role).
備注：已完結(jié)
類(lèi)型：劇情片
主演：戴米恩·路易斯 安德麗婭·賴(lài)斯伯勒 羅斯·安德森 凱特·迪基 Eric
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：On a remote Scottish Isle in the 1950s, a 30-year-old woman（Andrea Riseborough）is caught between her overbearing, evangelist husband（Damian Lewis）, a Minister, and the masculine vitality of a 16-year old criminal who is delivered to them as part of a rehabilitation scheme.
備注：已完結(jié)
類(lèi)型：劇情片
主演：薩拉·波莉 阿曼達(dá)·普拉莫 馬克·魯弗洛 斯科特·斯比德曼 蕾歐諾·瓦
導(dǎo)演：伊莎貝爾·科賽特
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：尚不滿24歲的清潔工安妮（Sarah Polley 飾）被確診為癌癥，只剩下兩至三月的壽命，安妮的丈夫是她生命中第一個(gè)也是唯一一個(gè)男人，丈夫讓她在17歲、19歲時(shí)分別生下女兒，入獄的父親無(wú)法為她提供庇護(hù)，同母親的關(guān)系又不甚良好，一家四口居住在拖車(chē)?yán)?，所幸丈夫最近得到了修建泳池的工作。安妮決定將病情隱瞞家人，并寫(xiě)了十條身故前的愿望，包括找到又一個(gè)愛(ài)自己的男人，為女兒準(zhǔn)備未來(lái)生日的祝詞并和一個(gè)繼母，跟父親見(jiàn)一次面和享受余下的人生。安妮在洗衣房里偶遇從阿拉斯加歸來(lái)的測(cè)量員，兩人彼此摩擦出了愛(ài)的火花。但她將滿腦子只有節(jié)食計(jì)劃的女同事介紹給丈夫時(shí)卻遭遇了失敗，不久一名與安妮同名的女鄰居到來(lái)，她似乎是安妮理想的人選。所有事情在按步驟實(shí)現(xiàn)，還有安妮的死亡…… 本片獲2003年大西洋電影節(jié)最佳加拿大電影等多項(xiàng)褒獎(jiǎng)。
備注：已完結(jié)
類(lèi)型：劇情片
導(dǎo)演：蔡明亮
語(yǔ)言：國(guó)語(yǔ)
年代：未知
簡(jiǎn)介：作過(guò)一次臨時(shí)演員后，小康（李康生）罹患歪脖子的怪病，父親（苗天）帶其四處求醫(yī)?！ 「赣H雖已有妻、子，卻是貪戀年輕男孩身體的同性戀者，家庭對(duì)他早已名存實(shí)亡，已喪失承擔(dān)責(zé)任的能力（或認(rèn)為并沒(méi)什么責(zé)任要承擔(dān)），可是對(duì)于小康，他又不自覺(jué)扮演起傳統(tǒng)意義上的“父親”角色，卻也只能是失職的。小康是年輕的同性戀者，可是卻并不清楚自己期望從同性處獲得怎樣一種安慰，父母的貌合神離不但令他對(duì)男女關(guān)系失掉信心，對(duì)同性關(guān)系的理解也盲從地認(rèn)為只是兩具肉體的短暫吸引、結(jié)合。而作為被丈夫（同時(shí)代男人）與兒子（更年輕的男人）同時(shí)冷落的母親（陸筱琳），則只能默默忍受肉體與精神的雙重饑渴與孤獨(dú)。
