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備注：已完結(jié)
類型：科幻片
導(dǎo)演：賽·恩菲爾德
語言：英語
年代：未知
簡介：During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen <[email protected]>
備注：已完結(jié)
類型：科幻片
主演：索菲亞·波多拉 尼爾·泰格·弗莉 約翰尼·李·米勒 伊斯梅爾·克魯斯·
導(dǎo)演：WyattRockefeller
語言：英語
年代：未知
簡介：影片由懷特·洛克菲勒執(zhí)導(dǎo)，故事講述Ilsa是一個(gè)來自地球的難民，她和丈夫、女兒一起定居在火星邊遠(yuǎn)的惡劣干旱地帶。盡管一家人只有一些莊稼和一個(gè)家用機(jī)器人，他們還是對美好的生活抱有希望。但當(dāng)附近的山上出現(xiàn)了一群武裝襲擊者時(shí)，一切都被顛覆了。母女倆必須不惜一切代價(jià)生存下去，等待最后反擊的時(shí)機(jī)。該片已在在南非和納米比亞拍攝完成，目前正在后期制作中。
備注：已完結(jié)
類型：科幻片
主演：沃爾特·皮金 安妮·弗朗西絲 萊斯利·尼爾森 沃倫·斯蒂文斯 杰克·凱
導(dǎo)演：弗雷德·威爾科克斯
語言：英語
年代：未知
簡介：本片是五十年代最著名的科幻片之一，講述在2200年，太空人登錄一個(gè)星球，發(fā)現(xiàn)那里只有劫后余生的醫(yī)生和他的女兒。當(dāng)他們計(jì)劃把兩個(gè)人帶回地球時(shí)，卻被神秘的怪物攻擊，于是他們?yōu)榱松媾c怪獸進(jìn)行了一場殊死的搏殺。導(dǎo)演弗雷德 M. 威爾科克斯制造出復(fù)雜玄妙的未來世界，比轟動(dòng)一時(shí)的《星球大戰(zhàn)》早先了二十年
備注：已完結(jié)
類型：科幻片
主演：克里斯·埃文斯 海莉·阿特維爾 塞巴斯蒂安·斯坦 湯米·李·瓊斯 雨果
導(dǎo)演：喬·莊斯頓
語言：英語
年代：未知
簡介：上世紀(jì)40年代，納粹及其邪惡軸心的戰(zhàn)火燒遍世界各個(gè)角落。居住在布魯克林的小個(gè)子史蒂夫·羅格斯（克里斯·埃文斯 Chris Evans 飾）心系國家，一心上陣殺敵，可是糟糕的體格讓他始終被征兵辦拒之門外。偶然的機(jī)會(huì)，在德籍科學(xué)家厄斯金博士（Stanley Tucci 飾）的幫助下，這個(gè)小個(gè)子男孩得以走入兵營，并接受了博士的試驗(yàn)，化身成為高大健壯、膂力過人的超級戰(zhàn)士。與此同時(shí)，德國納粹紅骷髏部隊(duì)的首領(lǐng)約翰·施密特（雨果·維文 Hugo Weaving 飾）依靠超自然的力量建立起一支超級戰(zhàn)隊(duì)，企圖稱霸全世界?！ 榱藸I救好友，史蒂夫以美國隊(duì)長的形象闖入施密特的軍營，正邪兩大超級戰(zhàn)士的戰(zhàn)斗就此展開……
備注：已完結(jié)
類型：科幻片
主演：耶日·斯圖爾 克里斯提娜·楊達(dá) 卡里娜·謝魯斯克 馬里烏什·德莫霍夫斯
導(dǎo)演：皮奧特爾·舒爾金
語言：其它
年代：未知
簡介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
備注：已完結(jié)
類型：科幻片
主演：克里斯多弗·蘭伯特 迭戈·阿巴坦托諾 斯特凡妮婭·羅卡
導(dǎo)演：加布里埃萊·薩爾瓦托雷斯
語言：其它
年代：未知
簡介：2005年圣節(jié)前3天，電子游戲設(shè)計(jì)員米正在趕制全新游戲－極樂迷宮，準(zhǔn)備在圣誕日推出面大量發(fā)售．豈料異變突然發(fā)生，游戲里的主角蘇被病毒感染產(chǎn)生自主意志，厭倦了打打殺殺無限續(xù)局的殘酷生涯，要求杰米刪除游戲程式，另一邊廂，電腦集團(tuán)又派人催促杰米趕快交貨，進(jìn)退維谷的，他只好兵行險(xiǎn)著，策動(dòng)一場網(wǎng)絡(luò)革命……
