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備注：已完結(jié)
類(lèi)型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類(lèi)型：愛(ài)情片
主演：SarahJessicaParker KimCattrall Kris
導(dǎo)演：MichaelPatrickKing
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：凱瑞（薩拉·杰西卡·帕克 Sarah Jessica Parker 飾）和夏洛特（克里斯汀·戴維斯 Kristin Davis 飾）的兩位同性好友，安東尼（馬里奧·坎通 Mario Cantone 飾）與斯坦福（威利·加森 Willie Garson 飾）終于成婚，而凱瑞與“大先生”（克里斯·諾斯 Chris North 飾）婚后卻不滿生活日漸平淡，二人矛盾漸生。全職媽媽夏洛特日夜擔(dān)心丈夫哈里（伊萬(wàn)·漢德勒 Evan Handler 飾）會(huì)與青春洋溢的愛(ài)爾蘭保姆艾琳（愛(ài)麗絲·伊芙 Alice Eve 飾）出軌。律師米蘭達(dá)（辛西婭·尼克松 Cynthia Nixon 飾）不滿老板對(duì)女性的歧視，憤而辭職。就在此時(shí)，薩曼莎（金·凱特羅爾 Kim Cattrall 飾）應(yīng)阿聯(lián)酋酋長(zhǎng)之邀，帶領(lǐng)三人出游中東的阿布扎比。在香料集市上，凱瑞重逢多年前的舊愛(ài)艾登（約...
備注：已完結(jié)
類(lèi)型：劇情片
主演：阿克謝·庫(kù)瑪爾 施盧蒂·哈森 卡琳娜·卡普爾 齊特拉伽達(dá)·辛格 杰德普
導(dǎo)演：RadhaKrishnaJagarlamudi
語(yǔ)言：
年代：未知
簡(jiǎn)介：警察賈巴爾創(chuàng)建了自己專(zhuān)屬的民間反腐信息網(wǎng)絡(luò)，命名為反腐力量（ACF），有系統(tǒng)地打擊來(lái)自各行各業(yè)的腐敗人員。警察系統(tǒng)和政府察覺(jué)到這一情況后，并僱傭了一名叫做Balbir Singh的神秘男子與他對(duì)抗。
備注：已完結(jié)
類(lèi)型：劇情片
主演：克里斯特爾·博登斯坦 Charles Hans Vogt Eckart
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：前東德最好的一部超現(xiàn)實(shí)主義幻想??！ this is one of the most amazing looking,surreal films of all time and i only recently acquired it on video.it was just as good after fond childhood memories of it.highly recommended,with great special effects,and stunning set design,and vivid colour and cinematography.buy with confidence! This is as you remember watching it as a child. Lifelike, overtly coloured and full of magical splendor, terrifying nasties and surreal characters. In short, do not shy away from this opportunity to show a Christmas Special to your children in favour of the usual fare from Disney and co. Rather, pop a fresh batch of pop corn, get first dibs on the comfy chair and opt for what was arguably one of the highlights of East German children's programming.
備注：已完結(jié)
類(lèi)型：劇情片
主演：斯特林·奈特 史賓塞·洛克 迪恩·蓋耶 Kote Tolordava
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：三個(gè)美國(guó)年輕友人，相邀到歐亞邊境國(guó)喬治亞旅行，不料在行經(jīng)偏僻的野地，其中一人誤踩到當(dāng)?shù)貒?guó)境戰(zhàn)時(shí)期遺留下來(lái)的地雷，正憂心身處險(xiǎn)地的當(dāng)下，竟爆出兩男一女友人間不可告人出軌關(guān)系，而正當(dāng)三人爭(zhēng)論是否彼此原諒，彼此背棄和尋求當(dāng)?shù)鼐仍畷r(shí)，一個(gè)外出打獵喬治亞住民出現(xiàn)，讓原本站在地雷上急如熱鍋螞蟻的青年，從此面臨情愛(ài)與生死交關(guān)的抉擇，倒底他的抉擇能否獲得老天的眷顧，腳踩地雷的他是否還有扭轉(zhuǎn)局勢(shì)的奇蹟？
備注：已完結(jié)
類(lèi)型：劇情片
主演：Henrique Ihj?c Krah? Raene K?t? Kra
導(dǎo)演：Renée Nader Messora 若昂·薩拉維扎
語(yǔ)言：葡萄牙語(yǔ)
年代：未知
簡(jiǎn)介：今天晚上，寧?kù)o籠罩著環(huán)繞村落的森林。人們?nèi)胨瘯r(shí)，森林卻醒來(lái)了。在巴西北部Krah?生活的年輕人Ihj?c自從父親去世后就一直做噩夢(mèng)。他在黑暗中行走，渾身是汗，每一個(gè)腳步都小心翼翼。突然間，一陣歌聲從遠(yuǎn)方傳來(lái)，穿越棕櫚林。這是他去世的父親正在召喚他。為了使父親的靈魂能夠得到安息，前往亡者的國(guó)度，他必須組織一場(chǎng)喪葬儀式。但I(xiàn)hj?c 沒(méi)有履行自己的職責(zé)并且拒絕成為一名薩滿。他決定逃往城市，遠(yuǎn)離他的同胞與文化。但作為一名在巴西生活的土著人，他卻不得不面對(duì)艱難的現(xiàn)實(shí)。
備注：已完結(jié)
類(lèi)型：劇情片
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：離開(kāi)部隊(duì)之后，以利亞凱恩再次回到他的特種部隊(duì)。由Marcus米切爾招募回美國(guó)中央情報(bào)局。凱恩的技能是遠(yuǎn)程狙擊，馬庫(kù)斯的承諾，中情局將信息提供給凱恩并為之組建他的小團(tuán)隊(duì)。凱恩得到一系列高難度錯(cuò)殺任務(wù)，中央情報(bào)局的一般特工不能完成。馬庫(kù)斯承諾配合凱恩，引導(dǎo)目標(biāo)他進(jìn)入狙殺范圍。并將目標(biāo)的身份透露給凱恩團(tuán)隊(duì)。凱恩與其它兩個(gè)受過(guò)訓(xùn)練的新兵組成行動(dòng)小組，完成任務(wù)。最終驅(qū)動(dòng)凱恩的不只是生意，也有個(gè)人的原因。
