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備注：已完結(jié)
類型：劇情片
主演：羅伯特·德尼羅 查茲·帕爾明特瑞 李洛·布蘭卡托 弗朗西斯·卡普拉 泰
導(dǎo)演：羅伯特·德尼羅
語言：英語
年代：未知
簡介：1960年代，紐約意大利人集結(jié)的布朗克斯區(qū)。黑幫老大辛尼（查茲·帕爾明特瑞 Chazz Palminteri飾）是當(dāng)?shù)睾蘸沼忻膸蜁宋?。在一宗兇殺案現(xiàn)場，九歲的男孩安奴（弗朗西斯·卡普拉 Francis Capra飾）目睹了這一切。為了街區(qū)的名譽(yù)，安奴拒絕供出兇手就是辛尼，此事促使他倆展開一段儼如父子般的忘年友情。然而安奴的父親羅蘭遜（羅伯特·德尼羅 Robert De Niro飾）對此卻并不贊成，唯恐兒子誤入歧途。八年后，十七歲的安奴（李洛·布蘭卡托 Lillo Brancato飾）已經(jīng)成長為一名英俊少年。辛尼的勢力正在逐漸擴(kuò)大，安奴對辛尼愈發(fā)崇拜，對黑幫生活也更加向往。誠實(shí)正直的羅蘭遜對兒子的憂慮越來越重?！ ∮蓨W斯卡影帝羅伯特·德尼羅執(zhí)導(dǎo)的電影處女作《布朗克斯的故事》，入圍1993年第50屆威尼斯國際電影節(jié)金獅獎(jiǎng)。
備注：已完結(jié)
類型：劇情片
主演：雷瓦希 卡琪·柯切林 SayaniGupta HelenAbell D
語言：印地語 HIndi
年代：未知
簡介：萊拉，一個(gè)患有腦性麻痹的女孩，同時(shí)是德里大學(xué)高材生、有抱負(fù)的作家和大學(xué)樂團(tuán)的作詞者。但戀愛卻是她待修的學(xué)分。好不容易鼓足勇氣向樂團(tuán)主唱示愛，卻遭到拒絕。在愛情與自我探索旅途上跌撞的她，直到某天遇見了失明卻富有自信的哈努姆，終于發(fā)現(xiàn)了自己的歸屬。本片探討關(guān)于出柜后的自我定位，如何接受自己以及認(rèn)可自己真正價(jià)值。
備注：已完結(jié)
類型：劇情片
主演：霍爾格·洛文納德勒 安娜·林達(dá)爾 比耶·馬爾姆斯滕 耶特魯?shù)隆じダ锏?/a>
導(dǎo)演：英格瑪·伯格曼
語言：其它
年代：未知
簡介：Sailor Johannes Blom returns to his home port, after seven years at sea, to find that Sally, the girl he has been thinking of while away, is completely despondent. Seven years earlier, obstreperous Alexander Blom, brings his mistress Sally to live with him, his wife Alice, son Johannes, and crew, aboard the salvage boat he captains. Amidst all the tensions on the small boat, Johannes and Sally fall in love with each other. Written by Will Gilbert
備注：已完結(jié)
類型：喜劇片
主演：Neal H. Dobrofsky Tippi Dobrofsky
導(dǎo)演：David Winning
語言：英語
年代：未知
簡介：克和茱莉婭因?yàn)閿z影在網(wǎng)上相識，兩人分享彼此的攝影作品，并且嘗試在網(wǎng)上交往。在朋友的慫恿下，尼克主動(dòng)約茱莉婭見面，試圖開始真正交往，不料見面后才發(fā)現(xiàn)，網(wǎng)上的茱莉婭竟然是自己的前妻，因?yàn)槭聵I(yè)觀不合在幾年前離婚了。簡單交談了幾句后兩人為對方安排了一場約會，但都因?yàn)樾愿裨驅(qū)е录s會無疾而終，實(shí)則是因?yàn)楸舜藢Ψ竭€都保留著好感。尼克邀請茱莉婭參加朋友家舉辦的晚會，朋友們都認(rèn)為他們非常般配，他們也有意重新開始。在這關(guān)鍵時(shí)刻，茱莉婭的前男友出現(xiàn)，試圖挽回茱莉婭，而尼克的前女友也又一次聯(lián)系了尼克，他們礙于面子，將復(fù)合
備注：已完結(jié)
類型：劇情片
主演：Mahmoud Asfa Ruba Blal 薩萊·巴克里 Anas
導(dǎo)演：安娜瑪麗·雅西爾
語言：阿拉伯語,英語
年代：未知
簡介：約旦，1967年。世界巨變：對能源的爭奪、新潮流、新音樂、對未來憧憬的蔓延。在約旦，不同的變化在悄然發(fā)生：巴勒斯坦成千上萬的難民正跨越邊境線到約旦尋求避難。11歲的Tarek與母親在難民隊(duì)伍中，而他的父親則在戰(zhàn)亂中被迫與家庭分開。他們和1948年就逃難至此的前一代難民一起被安置在難民營的活動(dòng)帳篷中，等待可以重返家鄉(xiāng)的那一天。難民營中的生活窘困，期待能夠和爸爸重逢的Tarek想法離開難民營，并看到了希望。他對自由的向往和好奇的天性帶領(lǐng)一群有著同樣向往的人踏上了一段改變命運(yùn)的旅程。
備注：已完結(jié)
類型：劇情片
主演：埃迪·康斯坦丁 漢斯·齊施勒 克勞迪亞·米歇爾森 Nathalie K
導(dǎo)演：讓-呂克·戈達(dá)爾
語言：法語
年代：未知
簡介：Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.
備注：已完結(jié)
類型：劇情片
主演：Marfa Lapkina M. Ivanin Konstantin
導(dǎo)演：謝爾蓋·愛森斯坦 格里高利·亞歷山德羅夫
語言：其它
年代：未知
簡介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
