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備注：已完結(jié)
類型：劇情片
主演：AlexanderJaschik FranziskaJunge Wol
導演：MarcBauder
語言：德語
年代：未知
簡介：約亨沃爾特是德國銀行的一名資深投資銀行家，與其助手湯姆·斯萊扎克剛剛完成一筆大單。慶功會上約亨卻突然跳樓自殺。全球范圍內(nèi)有多起銀行家自殺的案例的情況下，外界紛紛猜測約亨的自殺原因，甚至有人懷疑是他殺。約亨的妻子對銀行推卸責任的說法很不滿，稱約亨自殺前留下一封遺書，其中有涉及約亨真實死亡原因的銀行保單。湯姆對其突然死亡也表示懷疑，天臺拍攝到跳樓過程的攝像頭也被移走。到底是自殺還是謀殺。
備注：已完結(jié)
類型：劇情片
主演：蒂比·海德莉 馬丁·加貝爾 肖恩·康納利 路易莎·蘭瑟姆 黛安·貝克
語言：英語
年代：未知
簡介：聰明漂亮的公司女秘書瑪爾妮·埃德加（蒂比·海德莉 Tippi Hedren飾）實際上是一名品行不端的女竊賊，嗜偷如命。幾個月后，她偷走了公司保險柜里的將近一萬美元的現(xiàn)金，恰好公司的大主顧馬克·魯?shù)绿m（肖恩·康納利 Sean Connery飾）也在場。他對這位冷艷神秘的女人有著濃厚的興趣。更有緣分的是，馬克就是瑪爾妮的新任老板?，敔柲輰t色的東西始終有著一種神經(jīng)性的恐懼，這更讓馬克覺得這個怪異的女孩背后一定有著什么故事，企圖接近她?！ ◆?shù)绿m猛烈的愛情攻勢，讓瑪爾妮倍感恐慌和不安。雖然她也對這個風度翩翩的英俊男人動了心，卻仍習慣性地從公司的保險柜里偷出現(xiàn)金，打算遠走高飛。馬克及時阻止了她，并引導瑪爾妮說出真話。面對自己難以逾越的心理障礙，瑪爾妮內(nèi)心中那段不愿告人的身世之謎即將揭開面紗。
備注：已完結(jié)
類型：劇情片
主演：Anna Neagle Anton Walbrook C. Aubre
語言：英語
年代：未知
簡介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
