溫馨提示：歡迎訪問
請記住網(wǎng)址：m.irvingpettraining.com，感謝網(wǎng)友的支持！提供最新高清電影熱播電視劇在線觀看，為廣大用戶免費提供在線觀看電影和電視劇服務。
備注：已完結(jié)
類型：劇情片
主演：安吉拉·溫科勒 馬里奧·阿多夫 迪特爾·萊瑟 尤爾根·普洛斯諾 海因茨
語言：德語
年代：未知
簡介：年輕美麗的西德女孩卡塔琳娜?布魯姆（Angela Winkler 飾）有段失敗的婚姻，她偶然在親戚家的晚會上邂逅英軍男子路德維希?戈頓（Jürgen Prochnow 飾），兩人一見鐘情，并共度浪漫的一夜。然第二天一早，軍警破門而入，四處搜查，戈頓已不見蹤影。原來戈頓系警方通緝的搶劫犯，卡塔琳娜被作為同犯逮捕?！ 【降乃巡掇Z動一時，《圖片報》記者托特蓋斯（Dieter Laser 飾）四處打探消息，搜集卡塔琳娜的隱私。他將搜集到的素材提供給警長拜茨邁納（Mario Adorf 飾），警長再將這些作為證據(jù)，對卡塔琳娜進行嚴刑拷問。原本生活平靜的卡塔琳娜一瞬間跌至谷底…… 本片改編德國著名作家，諾貝爾文學獎獲得者海因里希?伯爾的同名小說。
備注：已完結(jié)
類型：喜劇片
主演：阿德里婭娜·阿斯蒂 朱利安·貝爾托 讓-克洛德·布里亞利 阿道弗·切利
導演：路易斯·布努埃爾
語言：法語
年代：未知
簡介：本片由幾個超現(xiàn)實的小故事串聯(lián)而成。公園里，一個神秘男子塞給一個中產(chǎn)階級家庭的女孩幾張圖片，女孩父母對這些帕特農(nóng)神廟、凱旋門等古建筑的圖片大驚失色。丈夫晚上被幻覺困擾求助醫(yī)生，恰巧女護士請假離去，在回家的路上，女護士偶遇受虐狂帽商、賭博的神父等人。一位教授搭護士的車來到警局授課，卻總被打斷，他最后講了一段赴宴的經(jīng)歷，幾個朋友在馬桶上閑聊，而吃飯卻在廁所一樣的單間里。一名罹患癌癥的男人被告知女兒失蹤，雖然女兒就在身邊，但一群人仍然四處尋找。一名槍手在高層建筑里隨意射殺路人，被判處死刑，但看起來卻像是當庭釋放。警察局長接到了死去的妹妹電話，他前往墓地查看，卻發(fā)現(xiàn)自己的位置已經(jīng)被別人代替…… 本片獲1975年意大利電影新聞記者協(xié)會銀兔獎。
備注：已完結(jié)
類型：劇情片
主演：安娜·奇波夫斯卡婭 彼得·費奧多羅夫 Konstantin Yushk
導演：列納特·達夫列吉亞羅夫
語言：其它
年代：未知
簡介：莎莎，一位美麗的年輕攝影師，發(fā)現(xiàn)她的情人，一個成功的藝術家，被謀殺了。警察懷疑她，兇手們想讓她安靜下來。當她試圖解決這個秘密的時候，她開始四處奔跑。
備注：已完結(jié)
類型：劇情片
主演：Angelina Boris Natalia De Mendoza A
語言：英語
年代：未知
簡介：一群受歡迎的私立學校女生參加了一個最尊貴和受人尊敬的名媛選美，有機會贏得夢寐以求的皇冠。在這部驚悚片《致命名媛》中，當事情發(fā)展到一定程度時，競爭就變得險惡起來。@優(yōu)質(zhì)資源庫
備注：已完結(jié)
類型：劇情片
主演：JerryKillick NataliBroods 奧絲·圖思 Bal
語言：英語 / 匈牙利語
年代：未知
簡介：Twin babies are separated at birth. The girl grows up in a middle class environment, her brother in a street gang. Twelve years later, their paths cross again and they discover their common destiny, imposed upon them by the adults. It is the beginning of an exciting journey to the discovery of their roots and their independence, but neither of them is able to escape the past......
備注：已完結(jié)
類型：劇情片
主演：Anna Neagle Anton Walbrook C. Aubre
語言：英語
年代：未知
簡介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
