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備注：已完結(jié)
類型：劇情片
主演：凱拉·伊薇兒 克里斯蒂·卡爾森·羅曼諾 拜斯·約翰遜 AriellaN
導(dǎo)演：邁克爾·費(fèi)法
語言：英語
年代：未知
簡介：在經(jīng)歷了幾年的經(jīng)濟(jì)困難后，一位年輕的母親決定回去工作，幫助她的前夫應(yīng)付日益增長的賬單。由于沒有人照看他們四歲的女兒，這位母親決定把她送到當(dāng)?shù)匾患颐麨椤靶〖一铩钡娜胀兄行模@家日托中心的主人是一位看上去很負(fù)責(zé)任的老婦人。米婭的尷尬行為持續(xù)了幾周后，瑞秋得出結(jié)論，她的女兒可能受到了中心一位日托老師的虐待。
備注：已完結(jié)
類型：劇情片
主演：JerryKillick NataliBroods 奧絲·圖思 Bal
導(dǎo)演：WimVandekeybus
語言：英語 / 匈牙利語
年代：未知
簡介：Twin babies are separated at birth. The girl grows up in a middle class environment, her brother in a street gang. Twelve years later, their paths cross again and they discover their common destiny, imposed upon them by the adults. It is the beginning of an exciting journey to the discovery of their roots and their independence, but neither of them is able to escape the past......
備注：已完結(jié)
類型：劇情片
主演：Anna Neagle Anton Walbrook C. Aubre
語言：英語
年代：未知
簡介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
備注：已完結(jié)
類型：劇情片
主演：斯蒂娜·艾克布羅德 安尼塔·布耶爾克 瑪麗·理查德森 瑪加麗塔·比斯特
導(dǎo)演：英格瑪·伯格曼
語言：其它
年代：未知
簡介：戲中，薩德本人從未露面，只存在于六名登場人物的對話中。人物的性格也很分明，西緬男爵夫人代表“美德”、而圣芳伯爵夫人代表“惡行”，門托紐夫人則代表了世俗。盡管兩位代表善惡的人物更富有戲劇性，然而全劇的中心仍是主人公露涅和門托紐夫人的對立?！ ∫詣≈腥藢λ_德的態(tài)度為例：門托紐夫人認(rèn)為聲名狼藉、鋃鐺入獄的薩德根本就是家庭的恥辱，而薩德的妻子露涅則截然不同，她真誠地等待著被社會排斥的丈夫，并認(rèn)為這才是表達(dá)真愛的惟一方式。但是，當(dāng)革命風(fēng)起云涌，社會價值觀也隨之改變。薩德出獄并被捧為新時代的旗手，門托紐夫人的態(tài)度來了個一百八十度大轉(zhuǎn)彎，她成了薩德的捧哏，稱薩德為法國的獻(xiàn)身者?！ 《赌膽B(tài)度卻截然相反。丈夫重新被社會承認(rèn)，意味著她那孤獨(dú)的愛就此喪失了根基。不僅如此，她讀了薩德在獄中寫的小說，里面描寫了一位堅(jiān)持美德的女子的悲劇，露涅在作品中看到了自己的影子。她的孤獨(dú)之愛從根底瓦解了，同時也意識到之前的半生不過是徒勞，于是她投身修道院，再也不與薩德相會。劇中露涅曾說：“與其付諸行動，不如創(chuàng)制法則……” 這句話也可以理解為“與其委身現(xiàn)實(shí)，不如付諸思想”。對原劇作者三島先生來說，“藝術(shù)”無疑是存在于現(xiàn)實(shí)之外的、對于異端思想之美的例證。
備注：已完結(jié)
類型：劇情片
主演：施特法妮·施塔彭貝克 馬庫斯·米特梅爾 讓-伊夫·貝特魯 FionaS
導(dǎo)演：JudithKennel
語言：德語
年代：未知
簡介：圣誕節(jié)的家庭聚會上，年輕情侶斯特凡和海科向父母宣布他們購買了一艘船，決定環(huán)游世界。他們一路歡聲笑語，領(lǐng)略各地風(fēng)光。然而當(dāng)他們來到玻里尼西亞后，美好的一切戛然而止。斯特凡跟隨一位名叫阿里哈諾的當(dāng)?shù)啬腥酸鳙C未歸。海科從阿里哈諾口中得知愛人受傷，匆忙隨他前去，結(jié)果險(xiǎn)些被他奸殺。逃出生天的海科求助警方尋找斯特凡。警方在多日調(diào)查后發(fā)現(xiàn)斯特凡已被肢解后焚燒，而阿里哈諾不見蹤跡?？吹綈廴艘驯粺梢黄覡a的?？菩耐床灰?，決定不再繼續(xù)航行。剛剛回到家中的她便被鋪天蓋地的記者包圍，眾人都希望獲悉斯特凡死亡真相。在母親和姐姐的陪伴下，?？圃囍鴵崞叫闹械膭?chuàng)傷，并且決定接受漢堡新聞記者哈特曼的采訪道出真相。這時，玻里尼西亞的警官也為海科帶來好消息，阿里哈諾被捕。在哈特曼的陪同下，?？埔姷搅顺聊徽Z也拒不認(rèn)罪的阿里哈諾。但證據(jù)確鑿，哈里哈諾被判28年有期徒刑。阿里哈諾的父親為表歉意，邀請海科參加專門為斯特凡舉行的告別儀式。海科決定暫時留在玻里尼西亞緬懷愛人。后來，她帶著自己寫下的書《藍(lán)水-天堂夢魘》回到德國。
備注：已完結(jié)
類型：喜劇片
主演：弗朗基·穆尼茲 保羅·吉亞瑪提 阿曼達(dá)·貝尼斯 阿曼達(dá)·達(dá)特曼 唐納德
導(dǎo)演：肖恩·利維
語言：英語
年代：未知
簡介：14歲的杰森（弗朗基·穆尼茲 Frankie Muniz 飾）相貌帥氣聰明伶俐，才華橫溢的他小小年紀(jì)即在編劇上展現(xiàn)出了過人的天賦。一次偶然中，他發(fā)現(xiàn)自己的作業(yè)被好萊塢制片人馬迪（保羅·吉亞瑪提 Paul Giamatti 飾）偷偷竊取拍成了電影《超級大騙子》，不僅如此，這部電影更因?yàn)閮?yōu)秀的劇本而獲得了巨大的成功。眼看著自己的勞動果實(shí)被強(qiáng)取豪奪，杰森決定不再沉默，他伙同自己的死黨凱利（阿曼達(dá)·貝尼斯 Amanda Bynes 飾），兩人來到了好萊塢?！ ∶鎸鈩輿皼扒皝砼d師問罪的兩個小毛頭，在好萊塢有著極高名望和聲譽(yù)的馬迪當(dāng)然沒有將他兩放在眼里。小看他人的人必將受到回?fù)?，很快，杰森和凱利便用自己的實(shí)力讓馬迪明白他們并不好惹。
備注：已完結(jié)
類型：劇情片
主演：多米尼克·斯萬 科迪·蕾尼·卡梅倫 米歇爾·梅林 Brooke Hav
導(dǎo)演：羅賓·貝恩
語言：英語
年代：未知
簡介：Interweaving stories of four different women involved in the sex industry offers a glimpse into the dark underbelly of Los Angeles and the taboo lifestyle of a sex worker. A teen runaway, single mother and two career escorts interconnect through their own personal journeys filled with loss, betrayal and the struggle to survive.
備注：已完結(jié)
類型：劇情片
主演：August Lambrou-Negrepontis Dimitris
導(dǎo)演：瓦狄斯·馬里納基斯
語言：其它
年代：未知
簡介：After Jason (9) is abandoned by his mother at a folk festival, he takes refuge in a forest cabin belonging to a mute loner. A series of circumstances eventually lead them to form a family - something both have lacked for a while.
