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備注：已完結(jié)
類型：劇情片
主演：VahidAghapoor ParnianAkhtari SarahA
導(dǎo)演：薩達(dá)夫·弗魯基
語(yǔ)言：波斯語(yǔ)
年代：未知
簡(jiǎn)介：Ava's life is dictated by rules. Coming of age in Iran, she faces pressure to conform to the expectations of her parents, her school, and her friends. When Ava learns that her parents were once flagrant rule breakers themselves, she begins to rebel against the very foundations of her society. AVA masterfully demonstrates how a culture of authority can force denial and detachmen...
備注：已完結(jié)
類型：劇情片
主演：阿爾·帕西諾 羅伯特·杜瓦爾 黛安·基頓 羅伯特·德尼羅 約翰·凱澤爾
導(dǎo)演：弗朗西斯·福特·科波拉
語(yǔ)言：英語(yǔ) / 意大利語(yǔ)
年代：未知
簡(jiǎn)介：邁克爾（阿爾·帕西諾 飾）是美利堅(jiān)黑手黨科利昂家族的頭目。 邁克爾的父親維托·安多里尼（羅伯特·德尼羅 飾）出生于意大利科利昂鎮(zhèn)。1901年，維托的父親安東尼奧、兄長(zhǎng)保羅、母親（瑪麗亞·卡塔 飾）都死于黑手黨西喬家族之手。9歲的維托只得漂洋過(guò)海逃亡美利堅(jiān)謀生。入境時(shí)，海關(guān)官員（理查德·沃森 飾）將其名姓登記為維托·科利昂。 1958年，邁克爾為兒子安東尼（詹姆斯·古納瑞斯 飾）舉辦了初領(lǐng)圣體的聚會(huì)，不想當(dāng)晚便遭遇暗殺。邁克爾僥幸躲過(guò)一劫，兩名殺手卻被人滅口。 維托在異國(guó)他鄉(xiāng)如何生存？他身負(fù)的血海深仇能否得報(bào)？想要邁克爾性命的是誰(shuí)？將殺手滅口的又是誰(shuí)？
備注：已完結(jié)
類型：劇情片
主演：莎拉·弗里斯蒂 何杜安·阿迦南 讓-皮埃爾·利奧德 Liv 尼古拉斯·
導(dǎo)演：莎拉·弗里斯蒂
語(yǔ)言：法語(yǔ)
年代：未知
簡(jiǎn)介：莉拉和阿毛在巴士站相遇，莉拉害羞內(nèi)向，與生俱來(lái)的語(yǔ)言障礙，阿毛活潑外向，總是機(jī)機(jī)喳喳說(shuō)個(gè)不停，莉拉用功念書(shū)，阿毛以非法賽車維生，就像磁鐵的二極無(wú)法抗拒，莉拉與阿毛互相吸引。由于天生口吃，莉拉被課堂上被同學(xué)嘲笑是智障，同學(xué)經(jīng)常模仿她口吃的樣子。老師從報(bào)告中識(shí)出莉拉的文字天份，建議她加入一個(gè)詩(shī)社，她將說(shuō)不出口的話語(yǔ)化成一首又一首的詩(shī)篇，當(dāng)短詩(shī)發(fā)表到部落格，立即引起關(guān)注，網(wǎng)友紛紛稱贊。她迫不及待想跟阿毛分享這份喜悅，阿毛卻表示要分手，因?yàn)榘⒚幸粋€(gè)不為人知的秘密……
鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965
備注：已完結(jié)
類型：劇情片
主演：BobDylan JoanBaez JudyCollins
導(dǎo)演：MurrayLerner
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
備注：已完結(jié)
類型：劇情片
主演：EmilyBettRickards KeithCarradine Ha
導(dǎo)演：TimothyArmstrong
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：《女牛仔與天使2：達(dá)科塔的夏天》講述的是Dakota Rose是個(gè)西部女孩，平時(shí)參加花樣馬術(shù)比賽，屢次失敗，還被競(jìng)爭(zhēng)對(duì)手嘲笑。不幸的是，如今18歲的她突然得知自己是被收養(yǎng)的。悲傷之下，Dakota選擇了離家出走，尋找自己的生母。這一路上經(jīng)歷了許多，結(jié)識(shí)了不少朋友，也明白了生活的道理，Dakota最終選擇了回家……
備注：已完結(jié)
類型：恐怖片
主演：耶爾·格洛格拉斯 YonTomarkin DanielleJadely
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：在過(guò)去的一年里，青春靚麗的女孩莎拉·帕爾曼（Danielle Jadelyn 飾）經(jīng)歷了有生以來(lái)最為難熬的一刻。為了讓她開(kāi)心，父親給她買了智能眼鏡。在此期間，好友瑞秋·克萊恩（耶爾·格洛格拉斯 Yael Grobglas 飾）約她一同前往以色列第二大城市特拉維夫旅行。莎拉未作過(guò)多考慮，便和瑞秋踏上旅途。在飛機(jī)上，她邂逅了學(xué)習(xí)人類學(xué)的青年凱文·瑞德（Yon Tumarkin 飾），后者對(duì)神秘的宗教深感興趣。于是下了飛機(jī)后，莎拉自作主張臨時(shí)改變行程，帶著瑞秋一同隨凱文前往耶路撒冷。 青春男女歡呼雀躍，歌舞升平，一度讓沙拉忘記了悲傷往事。她兀自沉溺耶路撒冷的夜色中，殊不知卻離傳說(shuō)中的地獄之門越來(lái)越近……?豆瓣
