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備注：已完結(jié)
類型：喜劇片
主演：丹尼·羅維拉 米歇爾·珍娜 Fernando García Cabre
導演：安立奎·高德
語言：西班牙語 / 英語
年代：未知
簡介： 麥克（Carme Calvell 配音）是一個可愛而又機靈的十二歲男孩，他的父親斯科特（Toni Mora 配音）和祖父弗蘭克（Camillo García 配音）都是宇航員，但是他們的光輝成績早已經(jīng)泯滅在漫長的時間洪流里，成為了被人們遺忘的幕后英雄。 一個邪惡而又貪婪的億萬富翁將他的目標對準了月球上所蘊藏了豐富的礦產(chǎn)資源，他想要通過登月來得到它們并且將美國曾經(jīng)登上月球的證據(jù)銷毀。麥克在無意之中得知了富商的計劃，他和弗蘭克一起，帶著好伙伴艾米（米歇爾·珍娜 Michelle Jenner 配音）和馬蒂（Javier Balas 配音），一行人追隨著富商的腳步，憑借他們微薄的力量，他們能否組織這可怕的事情發(fā)生呢？
備注：已完結(jié)
類型：劇情片
主演：Federico Luppi Juan Diego Botto
導演：阿道夫·阿里斯塔里安（Adolfo Aristarain）
語言：西班牙語
年代：未知
簡介： Martín Echenique 是一位電影導演，出生于布伊諾斯艾利斯。他在馬德里住了二十多年。他痛恨他的國家 （抑或是因為他曾經(jīng)太熱愛他的國家？），他不愿回憶他的國家，也不愿記起他的過去。 Martín Echenique es un director de cine, natural de Buenos Aires, que lleva más de 20 a?os viviendo en Madrid. Detesta su país, -?por lo mucho que lo ha amado?-, se niega a recrearse en la nostalgia y no se permite un reencuentro con su pasado.
備注：已完結(jié)
類型：歐美劇
主演：Vincent Price James Gregory Alfred
導演：Robert Stevens 詹姆斯·涅爾森 阿爾弗雷德·希區(qū)柯克
語言：英語
年代：未知
簡介： An arrogant detective, Charles Courtney, prides himself on never having committed a single mistake in his long and distinguished career. He keeps a shelf of labeled mementos from each of his cases. On the shelf there is an open space and a blank tag for what Courtney calls "The Perfect Crime". One day a defense lawyer stuns Courtney when he confronts him with evidence that the ...
備注：已完結(jié)
類型：劇情片
語言：其它
年代：未知
簡介：The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
