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備注：已完結(jié)
類型：喜劇片
主演：Vasili Merkuryev Boris Chirkov Alek
語言：其它
年代：未知
簡介：契若夫（鮑里斯·奇爾闊夫 Boris Chirkov 飾）、拉賓（亞歷山大·巴希羅夫 Aleksandr Bashirov 飾）和涅斯特拉托夫（瓦西里·梅爾庫里耶夫 Vasili Merkuryev 飾）是青梅竹馬的玩伴，三人之間感情非常的要好。長大成人之后，三人走上了不同的道路，契若夫成為了著名的外科醫(yī)生，拉賓成為了畜牧業(yè)專家，而涅斯特拉托夫是三人里最有出息的一個，成為了建筑事業(yè)管理局的領(lǐng)導(dǎo)?！ ∑跞舴蚝屠e一直想要完成他們童年時代許下的心愿——沿著河流旅行，他們好不容易才聯(lián)系上了高高在上的涅斯特拉托夫，可當兩人將涅斯特拉托夫帶到他們的載具——一張看起來隨時都會散架的木筏前時，涅斯特拉托夫震驚了！
備注：已完結(jié)
類型：劇情片
主演：KimRossiStuart MicaelaRamazzotti Ma
導(dǎo)演：丹尼埃萊·盧凱蒂
語言：意大利語
年代：未知
簡介：此片是一出幽默感人的戲劇，主角是一位前衛(wèi)的藝術(shù)家，也是一位好幻想的父親，他的家人卻對他毫無辦法。
備注：已完結(jié)
類型：劇情片
主演：Altantur Altanjargal Rentsenbat Bat
導(dǎo)演：S. Baasanjargal Shuudertsetseg Baatarsuren
語言：蒙古語
年代：未知
簡介：A feature film based on the true story of the legendary Princess Khutulun of Mongolia.
備注：已完結(jié)
類型：喜劇片
主演：Yevgeni Yevstigneyev Aleksandr Pank
導(dǎo)演：Karen Shakhnazarov
語言：其它
年代：未知
簡介：格羅夫（亞歷山大·潘克拉托夫 Aleksandr Pankratov 飾）是50年代風(fēng)靡一時的踢踏舞皇帝，如今的他早已經(jīng)走下了舞臺，走向幕后，在當?shù)氐母栉鑸F做藝術(shù)指導(dǎo)的工作。青年工人阿爾卡基（彼得·謝爾巴科夫 Pyotr Shcherbakov 飾）對踢踏舞非常的感興趣，他想拜格羅夫為師，然而，格羅夫卻覺得這個小伙子并沒有什么舞蹈天賦，對他避之不及。 一天，格羅夫在電視上看到了自己當年熱舞的畫面，哪知道主持人竟然說他已經(jīng)辭世了。這件事情的發(fā)生讓格羅夫開始想要將踢踏舞重新展現(xiàn)在觀眾們的面前，他將舞蹈編排成為了節(jié)目，并且找來了阿爾卡基作為演員。
備注：已完結(jié)
類型：喜劇片
主演：Shahid Kapur Kareena Kapoor Pavan M
語言：其它
年代：未知
簡介：一次偶然中，艾迪特（沙希德·卡潑爾 Shahid Kapoor 飾）在火車上遇見了名為吉特（卡琳娜·卡普 Kareena Kapoor 飾）的女子，通過交談，艾迪特得知吉特有一個相戀已久的男友安舒曼（Tarun Arora 飾），于是幫助吉特離家出走，去和安舒曼雙宿雙飛，而自己也回到了家中，承擔起了家族企業(yè)那沉重的負擔。時間流逝，艾迪特的心中一直沒有忘卻勇敢堅強的吉特?！ ≈钡郊氐募胰苏业桨咸刂畷r，他才知道，吉特并沒有能夠和安舒曼在一起，他去找安舒曼，卻發(fā)現(xiàn)此人是一個薄情寡義的混蛋，他對吉特避而不見，無處可去的吉特只能暫時在修道院中寄宿。艾迪特找到了吉特，說服她回到家人身邊，然而，就在吉特答應(yīng)之時，安舒曼卻改變了態(tài)度，忽然出現(xiàn)在了吉特的眼前。
備注：已完結(jié)
類型：劇情片
主演：Marfa Lapkina M. Ivanin Konstantin
導(dǎo)演：謝爾蓋·愛森斯坦 格里高利·亞歷山德羅夫
語言：其它
年代：未知
簡介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
