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備注：已完結(jié)
類型：劇情片
主演：阿布·桑加雷 尼娜·梅爾瑞斯 Emmanuel Yovanie
導(dǎo)演：伯里斯·洛伊坎
語言：法語
年代：未知
簡(jiǎn)介：蘇萊曼騎著單車穿梭巴黎街頭，用非法包商的人頭帳號(hào)跑外送，一邊喃喃地背誦著不屬于自己的人生故事。四十八小時(shí)后，他必須用這個(gè)掮客編造的過去說服移民官，方能獲得居留。然而這一夜，接單狀況不斷，工資還遭到扣留，交不出錢給掮客就無法拿到庇護(hù)申請(qǐng)文件。陷入絕境的蘇萊曼，移民面試能否順利通過？從幾內(nèi)亞遠(yuǎn)渡重洋來到法國，他的人生故事又是什么？
備注：已完結(jié)
類型：愛情片
主演：Pam Arambulo 里基·達(dá)沃 Shanaia Gomez 巴特
導(dǎo)演：Jason Paul Laxamana
語言：菲律賓語
年代：未知
簡(jiǎn)介：因遭遇詐騙而欠下巨額債務(wù)后，兩個(gè)想要成為社交名流的人精心設(shè)計(jì)偽造身份，騙取富人的錢財(cái)
備注：已完結(jié)
類型：海外劇
主演：Salim Husen Mulla Shri Prakash Mi
導(dǎo)演：Hitesh Bhatia
語言：印地語
年代：未知
簡(jiǎn)介：Five housewives who run a high stakes secret cartel in which style, ambition, love, friendship and betrayal set in the rich 1960s Mumbai.
備注：已完結(jié)
類型：愛情片
主演：西蒙娜·阿什利 赫洛·費(fèi)因斯-提芬 盧克·費(fèi)瑟斯頓 埃本·菲格雷多 阿
導(dǎo)演：Prarthana Mohan
語言：英語
年代：未知
簡(jiǎn)介：暫無簡(jiǎn)介
備注：已完結(jié)
類型：恐怖片
主演：斯文·索奇塔 細(xì)田善彥 Thanet Thorn 每熊克哉
導(dǎo)演：Sokyou Chea Inrasothythep Neth
語言：日語 / 高棉語
年代：未知
簡(jiǎn)介：Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
