溫馨提示：歡迎訪問
請(qǐng)記住網(wǎng)址：m.irvingpettraining.com，感謝網(wǎng)友的支持！提供最新高清電影熱播電視劇在線觀看，為廣大用戶免費(fèi)提供在線觀看電影和電視劇服務(wù)。
備注：已完結(jié)
類型：劇情片
主演：Chad L. Coleman Laya DeLeon Hayes 丹
導(dǎo)演：Bomani J. Story
語言：英語
年代：未知
簡介：It tells the story of teenage anti-hero, Vicaria, who is on a desperate quest to cure death.
備注：已完結(jié)
類型：恐怖片
主演：凱瑞·阿姆斯特朗 斯蒂芬·亨特 加里·思韋特 凱瑟琳·懷德 喬丹·沃勒
導(dǎo)演：杰西·奧布萊恩
語言：英語
年代：未知
簡介：After the death of their adoptive mother, a shy butcher and his drama queen twin sister leave the UK and adventure to Australia in search of their biological mother, but the local townsfolk of Two Heads Creek are hiding a dark secret the pair must reconcile their differences to fight for their lives in this playfully dark comedy-horror.
備注：已完結(jié)
類型：恐怖片
主演：Korey Williams 塔麗亞·杰德·霍爾特 Ozzie Dev
導(dǎo)演：Ilanthirayan Alan Arumugam
語言：英語
年代：未知
簡介：講述一個(gè)地區(qū)受到許多神秘災(zāi)難和厄運(yùn)襲擊，因?yàn)槲粗撵`魂透過一名年輕男子來引誘人們，將他們帶向令人戰(zhàn)栗的命運(yùn)。
備注：已完結(jié)
類型：恐怖片
主演：Christian Saldert Léonore Ekstrand
語言：其它
年代：未知
簡介：諾捷特（Christian Saldert 飾）68歲那一年，父親去世了，諾捷特獲得了父親擁有的位于斯德哥爾摩市中心的一幢公寓樓的產(chǎn)權(quán)，這大概是諾捷特一生中發(fā)生過的最好的事了。諾捷特想要將這幢大樓賣掉，得到的錢可以讓她生下的日子里衣食無憂，但很快問題就出現(xiàn)了，住在公寓7樓的一位租客拒絕搬走，而當(dāng)諾捷特要求查看當(dāng)初的租房合同時(shí)卻發(fā)現(xiàn)，合同是違法的，也就是說，諾捷特?zé)o法通過法律的手段讓這個(gè)釘子戶離開自己的地盤?！ ≈螅絹碓蕉嗟碾y題和問題一一浮出水面，公寓樓的存在漸漸變成了一個(gè)巨大的麻煩。在處理這些麻煩的同時(shí)，諾捷特也在慢慢的改變著。
備注：已完結(jié)
類型：恐怖片
主演：Esteban Prol Horacio Fontova Sergio
導(dǎo)演：Daniel de la Vega Pablo Parés
語言：其它
年代：未知
簡介：Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
