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備注：已完結(jié)
類型：劇情片
主演：Misha Gomiashvili Dachi Orvelashvil
導(dǎo)演：莫森·瑪克瑪爾巴夫
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：武裝革命推翻獨(dú)裁政權(quán)，是以暴制暴，還是以暴易暴國(guó)際影展常客伊朗名導(dǎo)馬克馬巴夫描寫一位被推翻的獨(dú)裁總統(tǒng)帶著小孫子逃亡，喬裝成貧民、躲藏社會(huì)底層，遇見一個(gè)個(gè)因其恐怖統(tǒng)治而殘破不堪的家庭與個(gè)人。究竟他應(yīng)該被吊死？燒死？斬首？還是隨眾人渴望的民主起舞？本片獲選 2014 威尼斯影展開幕片，虛構(gòu)而映照現(xiàn) 實(shí)。人道主義至上，刀刀見骨卻毫不煽情。
備注：已完結(jié)
類型：劇情片
主演：雷·溫斯頓 本·金斯利 伊恩·麥柯肖恩 阿曼達(dá)·雷德曼 詹姆斯·?？怂?/a>
導(dǎo)演：喬納森·格雷澤
語(yǔ)言：英語(yǔ) / 西班牙語(yǔ)
年代：未知
簡(jiǎn)介：蓋爾（雷·溫斯頓 Ray Winstone 飾）曾是一名在“職場(chǎng)”上叱咤風(fēng)云的大盜，如今，早已遠(yuǎn)離了江湖的他和妻子迪迪（阿曼達(dá)·萊德曼 Amanda Redman 飾）在一幢山間別墅內(nèi)過著閑適愜意的生活，在好友艾奇（Cavan Kendall 飾）和杰克（Julianne White 飾）的陪伴下，蓋爾覺得當(dāng)初的金盆洗手是一個(gè)正確的決定。
備注：已完結(jié)
類型：劇情片
主演：弗蘭茨·羅戈夫斯基 艾力克·高敦 克勞迪奧·桑塔瑪利亞 彼得洛·卡斯特
導(dǎo)演：加布里爾·梅內(nèi)提
語(yǔ)言：意大利語(yǔ) / 德語(yǔ)
年代：未知
簡(jiǎn)介：第二次世界大戰(zhàn)期間，1943年德軍襲擊羅馬，馬蒂爾德（Matilde）、森西奧（Cencio）、富爾維奧（Fulvio）和馬里奧（Mario）一家在一座永恒的城市的馬戲團(tuán)工作。他們的父親用他們的錢去買票逃亡，沒回音而消失，這導(dǎo)致四個(gè)朋友的生活陷入混亂中。沒有任何人照顧他們，但最重 要的是，沒有馬戲團(tuán)，他們也失去了社會(huì)地位，如同戰(zhàn)爭(zhēng)城市中散落的景點(diǎn)那樣逐漸凋零。
備注：已完結(jié)
類型：劇情片
主演：沙?！たㄆ諣?/a> 西米·加雷瓦爾 Romesh Sharma Pincho
導(dǎo)演：康拉德·盧克斯
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Hauntingly Beautiful This film is stunning in its beauty. The music is transcendent. For the longest time I tried to get the soundtrack. To save you the trouble, be aware that they never made one! There is one scene in which a woman blows on a shell that was so powerful I still remember 30 years later. Mesmerizing. If you have not seen it yet, rent it today.
備注：已完結(jié)
類型：劇情片
主演：威廉姆·伯格 Georg Brintrup 霍華德·沃儂
導(dǎo)演：達(dá)尼埃爾·于伊耶 讓-馬里·斯特勞布
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuse?s (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna. The German writer Friedrich H?lderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, H?lderlin’s English-language translator, the main reason why H?lderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination. Huillet-Straub’s The Death of Empedocles is based on H?lderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
