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備注：已完結(jié)
類型：劇情片
主演：Román Méndez de Hevia Emilio Menche
導(dǎo)演：Iván Fernández de Córdoba
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Alonso is a skater who goes across Spain with the skate as his only means of transport. The road will force him to cross with characters that will change his life and they will discover the reason why Alonso does this curious and strange trip.
備注：已完結(jié)
類型：喜劇片
主演：Chuck Norris Louis Gossett Jr.
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：麥斯（查克·諾瑞斯 飾）和李?yuàn)W（小路易斯·格賽特 飾）是一對(duì)即將退休的傭兵，然而就在他們碰到一位身懷藏寶圖的美女時(shí)，人生卻有了意外的轉(zhuǎn)折。這對(duì)哥倆好懷抱著挖寶的美夢(mèng)，踏上一段有如云霄飛車般刺激的冒險(xiǎn)旅程，從亞馬遜山中的失落古廟一路追尋到危地馬拉的叢林。他們?cè)谕局信龅揭魂?duì)不友善的外國(guó)傭兵、噬血的鱷魚，以及深怕他們想偷走祖?zhèn)鲗毑兀恍闹盟麄冇谒赖氐挠〉诎布浪竞蟠?。他們必須突破重重危險(xiǎn)，破解致命的咒語(yǔ)，才有機(jī)會(huì)抱得寶藏歸。
備注：已完結(jié)
類型：喜劇片
主演：MichaelDixonAndrewHarwoodMillsDorse
導(dǎo)演：GaryDelaney
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：上班族德里克一直對(duì)橄欖球情有獨(dú)鐘，當(dāng)他得知美式橄欖球正在英國(guó)嶄露頭角時(shí)興奮之情溢于言表，他甚至想去五六十公里外的曼徹斯特參加球員選拔。但女友對(duì)比頗為不理解，認(rèn)定這是德里克背棄二人共同夢(mèng)想的自私行為。不過，這并沒有影響德里克對(duì)橄欖球的執(zhí)著，為了能打橄欖球他開始奔波忙碌。不能參加其他球隊(duì)，他就自己組建球隊(duì)。這種運(yùn)動(dòng)精神吸引了很多同樣熱愛這項(xiàng)運(yùn)動(dòng)的朋友們加入。在德里克的帶領(lǐng)下，他們招攬球員，購(gòu)置服裝，組建拉拉隊(duì)，鐵路捍衛(wèi)者隊(duì)誕生了。為了球隊(duì)的發(fā)展，他們想盡一切辦法去請(qǐng)專業(yè)的美國(guó)教練。教練詹姆斯·杜邦的加入讓這支球隊(duì)活力滿滿。但隨著人員增多，球隊(duì)開銷也在不斷增加，德里克因此背上了債務(wù)。正在躊躇苦惱之際，德里克心生一計(jì)，舉辦橄欖球比賽，收取門票。雖然門票計(jì)劃意外泡湯，但德里克實(shí)現(xiàn)了自己的橄欖球之夢(mèng)。
備注：已完結(jié)
類型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類型：愛情片
主演：JenniferTaylor AaronShields
導(dǎo)演：AlexGraves
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：《欲望綠洲》講述了家庭主婦Karen的丈夫JimWebb對(duì)她非常冷淡，她一心想改變這一現(xiàn)狀的愛情故事。
備注：已完結(jié)
類型：劇情片
主演：德魯·巴里摩爾 莎拉·吉爾伯特 湯姆·斯凱里特 切瑞·拉德 Alan
導(dǎo)演：凱特·西亞
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：大牌影星朱·巴瑞摩爾曾在著名科幻巨片《E.T.外星人》中飾演一位惹人喜愛的小女孩歌蒂，而在《欲海潮》一片中，觀眾所看到的巴瑞摩爾已不再是一個(gè)小女孩了，她已經(jīng)成長(zhǎng)為一名成熟性感的大艷女?！ ≤缇S是一個(gè)叛逆不平的富家女，在一個(gè)偶然的機(jī)會(huì)遇到了與自己個(gè)性迥然不同的艾薇，她熱情開放的舉止及特有的神秘色彩讓茜維為之震撼，因好奇心驅(qū)使她一心想與她成為好友，因緣際會(huì)下，艾薇住進(jìn)了茜維家，但從此災(zāi)難接踵而至，父親被艾薇誘惑出軌，母親離奇墮樓而亡……
備注：已完結(jié)
類型：劇情片
主演：克里斯特爾·博登斯坦 Charles Hans Vogt Eckart
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：前東德最好的一部超現(xiàn)實(shí)主義幻想??！ this is one of the most amazing looking,surreal films of all time and i only recently acquired it on video.it was just as good after fond childhood memories of it.highly recommended,with great special effects,and stunning set design,and vivid colour and cinematography.buy with confidence! This is as you remember watching it as a child. Lifelike, overtly coloured and full of magical splendor, terrifying nasties and surreal characters. In short, do not shy away from this opportunity to show a Christmas Special to your children in favour of the usual fare from Disney and co. Rather, pop a fresh batch of pop corn, get first dibs on the comfy chair and opt for what was arguably one of the highlights of East German children's programming.
