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備注：已完結(jié)
類型：劇情片
主演：維果·莫騰森 蘭斯·亨利克森 斯瓦利爾·古德納松 勞拉·琳妮 亨利·莫
導(dǎo)演：維果·莫騰森
語言：英語
年代：未知
簡介：外人眼中頑固、老朽、暴躁、恐同、把愛和好意推開的父親，盡力與他相處的兒子?？雌饋硎且粋€(gè)糾結(jié)、熟悉和讓人鼻酸的故事?！ 【S果也是該片編劇 主演，影片聚焦”一個(gè)兒子與老去的父親的關(guān)系，是一個(gè)私人的故事”：John(莫滕森)與自己的同性伴侶Eric和養(yǎng)女Monica一起生活在南加州，一次，他退休了的農(nóng)民父親Willis(蘭斯·亨利克森)找上門來，要跟兒子住一段時(shí)間，父親那更為傳統(tǒng)、家庭化的世界與兒子的世界產(chǎn)生了碰撞。
備注：已完結(jié)
類型：劇情片
主演：StellaFyrogeni AndreasVasileiou Pop
導(dǎo)演：ToniaMishiali
語言：希臘語 / 英語
年代：未知
簡介：暫無簡介
備注：已完結(jié)
類型：劇情片
主演：康格娜·拉瑙特 舒邦特拉·森 丹尼·鄧宗帕 庫爾布尚·卡爾班達(dá) 穆罕默
導(dǎo)演：RadhaKrishnaJagarlamudi 康格娜·拉瑙特
語言：印地語 / 泰米爾語
年代：未知
簡介：1857年印度民族起義期間，章西女王反抗英國在印度的統(tǒng)治。
備注：已完結(jié)
類型：劇情片
主演：Xabiani Ponce de León Mauro Sánchez
導(dǎo)演：卡洛斯·薩馬
語言：西班牙語
年代：未知
簡介：Seventeen-year-old Carlos doesn't fit in anywhere, not in his family nor with the friends he has chosen in school. But everything changes when he is invited to a mythical nightclub where he discovers the underground nightlife scene: punk, sexual liberty and drugs.
備注：已完結(jié)
類型：動(dòng)作片
主演：查德·邁克爾·墨瑞 布魯斯·威利斯 謝伊·巴克納 泰勒·喬恩·奧爾森
導(dǎo)演：馬特·伊斯坎達(dá)里
語言：英語
年代：未知
簡介：布魯斯·威利斯將主演馬特·伊斯坎達(dá)里([深水區(qū)])執(zhí)導(dǎo)的動(dòng)作驚悚片[長夜](The Long Night，暫譯)。影片講述兩個(gè)冷血罪犯闖入一個(gè)市井醫(yī)生家中，為其中一個(gè)因搶劫失敗身負(fù)重傷的罪犯治療。然而這位醫(yī)生并不具備治療罪犯傷情的醫(yī)學(xué)技能，醫(yī)生該如何保護(hù)他的家人呢？影片將于6月3日佐治亞州哥倫布開機(jī)。
備注：已完結(jié)
類型：劇情片
主演：XabianiPoncedeLeón MauroSánchezNava
導(dǎo)演：卡洛斯·薩馬
語言：西班牙語
年代：未知
簡介：Seventeen-year-old Carlos doesn't fit in anywhere, not in his family nor with the friends he has chosen in school. But everything changes when he is invited to a mythical nightclub where he discovers the underground nightlife scene: punk, sexual liberty and drugs.
備注：已完結(jié)
類型：劇情片
主演：維克多·崔 Marina Smirnova 彼得·馬莫諾夫 亞歷山大·
導(dǎo)演：拉希德·努格馬諾夫
語言：俄語
年代：未知
簡介：In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
