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備注：已完結(jié)
類型：恐怖片
主演：Jeremy Ninaber Ethan Mitchell Krist
語言：英語
年代：未知
簡介：雇傭兵們?nèi)I救一名被囚禁在冷戰(zhàn)遺存的地堡中的生物工程師。 在進入不祥的設(shè)施后，他們發(fā)現(xiàn)自己要為生命而戰(zhàn)，因為他們遭到了一種未知的致命生物的攻擊。
備注：已完結(jié)
類型：恐怖片
主演：Michael P. Gaffney David Feldman Br
語言：英語
年代：未知
簡介：一架從洛杉磯飛往巴黎的747航班上，搭載了幾名不速之客。他們是來自美國軍方的科學家，現(xiàn)在正計劃帶著一具尸體逃離美國。此前，他們在CIA的授意下對瘧疾病毒進行研究，旨在開發(fā)出適合戰(zhàn)爭需要的生化武器，最終他們一種神奇的病毒應(yīng)運而生。被該病毒感染的人其生命力、爆發(fā)力以及意志都空前增強，與之相對疼痛感和恐懼心理則降至最低，即使身負重傷他們也能勇往直前，決不退縮。科學家們所帶的尸體正攜帶這種恐怖的病毒。 飛機在空中遭遇強烈的雷陣雨，劇烈的顛簸將行李艙內(nèi)的尸體釋放出來，并迅速化身為毫無人性、嗜血如命的恐怖僵尸。才從暴風雨的侵襲中舒緩過來的乘客們怎么也沒想到，機艙很快將變成充滿殺戮的血腥地獄……
備注：已完結(jié)
類型：恐怖片
主演：阿蘭·貝茨 蘇珊娜·約克 約翰·赫特 羅伯特·斯蒂芬斯 蒂姆·克里 J
導演：杰茲·斯科利莫夫斯基
語言：英語
年代：未知
簡介：四十年前以凌厲音效先聲奪人，驚嚇聲威至今仍非同凡響。以瘋?cè)嗽喊迩蛸惖牡箶⒄归_，前衛(wèi)音樂家（尊赫）與妻子居于寧靜村莊，不速之客一日突然到訪。神秘男子（阿倫卑斯）自稱在澳洲內(nèi)陸殺死妻兒，并學會土著巫術(shù)，能以吶喊置人于死地。在海岸沙丘上張臂一呼，令音樂家崩倒，牧羊人與羊群喪命；魅惑亦令妻子迷倒，取代男主人位置。癱瘓孩子、斜倚裸女與主教頭像，培根三幅扭曲人像呈現(xiàn)三個主角的畸零病態(tài)；文明與原始、理性與荒謬、真實與虛幻的對峙，在杜比音響下環(huán)回擴張，令詭異驚栗加倍撼人心魄。
備注：已完結(jié)
類型：恐怖片
主演：Matt Mitler Ruth Martinez Bill Hitc
語言：英語
年代：未知
簡介：A group of teenagers decide to take a vacation at the beach house of one of their fathers. The kid whose father owns the house just happened to accidentally kill his mother when he was a child. When they get to the house, the father has mysteriously disappeared.
備注：已完結(jié)
類型：恐怖片
主演：碧·桑托斯 AtticusMitchell 埃里克·克諾德森 Meli
語言：英語
年代：未知
簡介：斯隆·卡特是一個年輕的女孩，最近失去了視力。她的父親周末離開，她的兩個最好的朋友，從大學回家陪著她。她父親的一個學生，經(jīng)過鎮(zhèn)子需要過夜。和平的周末被一個隱秘的危險打斷了，鄉(xiāng)村逃亡變成了一場為生存而戰(zhàn)的戰(zhàn)斗。
備注：已完結(jié)
類型：恐怖片
主演：Katrina Grey 仁科貴 亞矢乃 Naho Nakashima
導演：廣瀨貴士
語言：日語
年代：未知
簡介：Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
