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備注：已完結(jié)
類型：劇情片
主演：阿耶萊特·祖里爾 羅伯特·甘特 安娜·蓋伊斯洛娃 Igor Orozo
語言：英語
年代：未知
簡(jiǎn)介：Netflix投資的一部電影，了解了一個(gè)了不起的人，一段歷史：Milada Horáková，出生于奧匈帝國(guó)時(shí)期的布拉格，一戰(zhàn)時(shí)17歲，因?yàn)閰⒓臃磻?zhàn)游行，被學(xué)校開除，之后致力女性平權(quán)和兒童福利，1940年因?yàn)閰⑴c地下抵抗組織被蓋世太保拘捕，關(guān)押在德國(guó)的集中營(yíng)，德國(guó)當(dāng)局要求德國(guó)法庭判死刑，但最終法庭判了她八年，1945年二戰(zhàn)結(jié)束回到布拉格；46年參選成為國(guó)會(huì)議員，繼續(xù)專注女性平權(quán)，48年捷共政變，她辭職抗議，公開批評(píng)捷共不民主。49年被捕，50年以“國(guó)家和人民的敵人罪名被處以絞刑。在蘇共安排下，她和另外十二人的這場(chǎng)審判透過廣播直播，最終四人被判絞刑。Milada在1989年后得到平反，布拉格的一條街道以她命名，被執(zhí)行死刑的那天，也被列為捷克極權(quán)制度犧牲者紀(jì)念日。Milada最后遺言：“我高昂著頭顱，盡管它可能落地也一定這樣。在戰(zhàn)斗中人們會(huì)倒下，但是如果不去戰(zhàn)斗，那還是生活嗎。
備注：已完結(jié)
類型：劇情片
主演：桑德里娜·博內(nèi)爾 瑪琳娜·佛伊絲 帕斯卡·埃爾貝 PatrickPin
導(dǎo)演：瑪麗昂?萊娜
語言：法語
年代：未知
簡(jiǎn)介：費(fèi)莉西泰，擁有一顆簡(jiǎn)單、神圣、本原和終極的心，如同上帝創(chuàng)世之心。失戀后的她在寡婦歐班太太家找了一份傭人的活，但是無論她多么忠誠(chéng)勤勞，卻始終不能贏得女主人的信任…… 影片根據(jù)福樓拜同名短篇小說《簡(jiǎn)單的心》改編，并獲得2009年雅克·普雷韋劇本獎(jiǎng)的最佳文學(xué)改編作品獎(jiǎng)。女主角由法國(guó)演技女王桑德里娜·伯奈爾出演，這也是她第二次飾演女傭角色，她以其充滿野性和極富張力的演技，詮釋了原作，即生命的精彩和人性的高貴。
備注：已完結(jié)
類型：劇情片
語言：其它
年代：未知
簡(jiǎn)介：名列「文藝復(fù)興三杰」之首的米開朗基羅，從小展現(xiàn)對(duì)藝術(shù)的極高天分，更受到當(dāng)時(shí)最具權(quán)勢(shì)的麥迪奇家族拔擢。不料命運(yùn)多舛，提拔他的知己羅倫佐竟突然辭世，頓失依靠的他，回到修道院后改學(xué)解剖，竟意外開啟人像雕塑的嶄新境界…。以壁畫《創(chuàng)世紀(jì)》、《最后的審判》及雕塑《大衛(wèi)像》奠定了他在藝術(shù)史上破天荒的地位。這些強(qiáng)烈的藝術(shù)風(fēng)格，甚至影響數(shù)個(gè)世紀(jì)的藝術(shù)家們，迄今仍無人能超越其成就。
備注：已完結(jié)
類型：喜劇片
主演：Judita Frankovic 戈蘭·波格丹 德?lián)P·阿西莫維奇
語言：其它
年代：未知
簡(jiǎn)介：A comedy about two people with different world-views, from different places, whose fate, with the help from a bull Garonja (a name given to the black bulls in villages of Croatia), intertwine. Ante (Goran Bogdan) is a peasant from Dalmatian hinterland, a son of an bull fights organizer, and skilled insurance salesman. He is known by his powers of persuasion. At the voting for the Law for animal protection, biggest controversy is considering bull fights. Sonja (Judita Frankovic) is from Zagreb, an inveterate activist fighting for animal rights. In Dalmatian hinterland nobody can understand her attitude. They conclude that Sonja, regardless of the declared intense love of animals, would not dare stand in front of a bull. About Sonja and Anthony , the central pair who in his romantic comedy game going a little farther - a little back, a series of actions is carried out in the style of a wild untamed satire at the expense of local yellow media and important institutions such as the ...
備注：已完結(jié)
類型：劇情片
主演：Avigail Kovari Moran Rosenblatt Gal
導(dǎo)演：Tsivia Barkai
語言：希伯來語
年代：未知
簡(jiǎn)介：一段奇妙卻又充滿禁忌的初戀故事！ 描述一名生長(zhǎng)在傳統(tǒng)猶太教青少女，她的性覺醒與喪偶父親嚴(yán)謹(jǐn)?shù)淖诮绦叛鲋g的沖突與撞擊。這也是編導(dǎo)演Tsivia Barkai Yacov的自傳性故事。本片是繼她的畢業(yè)作品VIKA 入圍2006 柏林影展Generation Kplus競(jìng)賽單元之后，再次受到柏林影展肯定。
備注：已完結(jié)
類型：劇情片
主演：Greta Almroth Arvid Dahlberg 約翰·?？寺?/a>
導(dǎo)演：莫里茲·斯蒂勒
語言：其它
年代：未知
簡(jiǎn)介：“Sangen Om Den Eldr?da Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fr?ulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldr?da Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
